One may venture a guess about a thing or two as it is, but the genre of the climax is not predictable. A thriller has to outwit the most discerning audience without fail.
'Gentleman' either keeps the audience guessing all throughout, or proves their presumptions wrong toward the end. From here on, the film turns into a thriller, complete with Jay's suspicious behaviour, intrigues involving big money, a mind game, so on and so forth. Shocked, she goes to Gowtham's house to meet him, only to know from his mother (Rohini) that he died in an accident ten days ago.īut she smells something fishy and decides to find out the truth about Gowtham's disappearance and more. Once back in the airport, Catherene is taken aback when she realizes that Aishwarya's boy friend is none other than Gowtham. Between narrating their stories, Catherene and Aishwarya become best buddies. In Aishwarya's story, Jay (Nani, again) the best industrialist met her, holidayed with her in Kodaikanal, fell in love with her. In Catherene's story, Gowtham (Nani) saw her, he swooned, came to her rescue when her lecherous maternal uncle David pestered her to marry him. Just to kill their time, they begin narrating their love story to each other. Mohankrishna Indraganti, a fine filmmaker with unique sensibilities, deftly narrates a not-a-simple-minded plot in a way everyone can understand.Īs the film begins, Catherene (Niveda Thomas) and Aishwarya (Surabhi) meet each other on board a flight to India. After Kshanam and Terror, it's the turn of Gentleman to steal a march over others. It seems to be a season of the unusual suspects winning the game.
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